Humanwatching
2024
Humanwatching is an exhibition produced in collaboration with Anna Hogg and in cooperation with Ray Hayden and several other pigeon fanciers across Virginia. Part ethnographic study of Virginia’s million-dollar pigeon fancying and racing industry and part speculative fiction, Humanwatching follows the pigeon fanciers and their pigeons through cycles of maintenance, bonding, training, and racing. Through video, sound, object, text, and drawing, Humanwatching probes the bounds of pigeon agency and subjectivity, interspecies attachment, and the bio/necropolitics of animal breeding, sporting, and ownership today, read in particular against the long historical backdrop of the human domestication and use of pigeons.
special thanks to the following people/organizations and their pigeons — Ray Hayden, Arongio Hargrave, Trent Hurst, John Tigert, Eddie Bruce, Roxanne Raines, the Virginia Rolling Pigeon Club, the Virginia Pigeon and Dove Association — as well as Lily Bukalski, Melissa Goldman, Trevor Kemp, Anna Pillow, and Laura Link
list of works
Perch, 2024
maple, spalted poplar, powder-coated steel, acrylic paint, birdseed, composted straw, composted pigeon droppings, soil, seeds (marigold, sunflower, morning glory, nasturtium, scarlet runner, black-eyed Susan, zinnia), hardware
front half: 8.25 x 12 x 9 ft; back half: 8 x 10 x 8 ft
get back in the air, come on home, 2024
brass, fused frit
4 x 4 x 0.125 in
it did not think it was a pigeon, 2024
brass, fused frit, hardware
4 x 4 x 0.125 in
every year we change the direction, 2024
brass, fused frit, hardware
4 x 4 x 0.125 in
yupyupyupyupyupyupyup, 2024
headphones with stereo sound
35m47s
I would never domesticate another, 2024
headphones with stereo sound
12m18s
Cucurrucucu, 2024
headphones with stereo sound
8m58s
Gym, 2023
maple, acrylic dye, stainless steel
structure: 44 x 66.5 x 25 in; additions: dimensions variable
I try not to give it a name, 2024
two-channel 360-degree video, poplar
11m
Death Roll, 2024
HD video
21m32s
Columbid/Hominid, 2024
adhesive vinyl
dimensions variable
list of works
Perch, 2024
maple, spalted poplar, powder-coated steel, acrylic paint, birdseed, composted straw, composted pigeon droppings, soil, seeds (marigold, sunflower, morning glory, nasturtium, scarlet runner, black-eyed Susan, zinnia), hardware
front half: 8.25 x 12 x 9 ft; back half: 8 x 10 x 8 ft
get back in the air, come on home, 2024
brass, fused frit
4 x 4 x 0.125 in
it did not think it was a pigeon, 2024
brass, fused frit, hardware
4 x 4 x 0.125 in
every year we change the direction, 2024
brass, fused frit, hardware
4 x 4 x 0.125 in
yupyupyupyupyupyupyup, 2024
headphones with stereo sound
35m47s
I would never domesticate another, 2024
headphones with stereo sound
12m18s
Cucurrucucu, 2024
headphones with stereo sound
8m58s
Gym, 2023
maple, acrylic dye, stainless steel
structure: 44 x 66.5 x 25 in; additions: dimensions variable
I try not to give it a name, 2024
two-channel 360-degree video, poplar
11m
Death Roll, 2024
HD video
21m32s
Columbid/Hominid, 2024
adhesive vinyl
dimensions variable
video stills from Death Roll:
video stills from I try not to give it a name:
opening with Ray Hayden and his pigeons:
excerpt of opening performance with rolling pigeon: